To the Shores of Tripoli (1942) Reviews

• A Sentimental Journey

  TB-191999-06-28

  While the story line is only so-so, the list of stars is quite impressive. The really special part of this movie is the exposure that the Marines in San Diego had to so many of the stars of the day. My father's unit (he was a DI) was used to film the movie. When you see Randolph Scott drilling his men, the close-ups are of Mr. Scott - the far off shots are of my father. My father also appears as an extra in other shots - the most noticeable being the scene where the men are all sitting in the bleachers. The really memorable aspect (and hopefully not TOO sentimental) of all this centers around the fact that this is the only record I have of my father in a "moving picture" (He died in 1952 when I was 3 years old, and the only pictures I have of him are still shots). Additionally, I fondly remember a large autographed picture by Randolph Scott inscribed to my father and the men in the unit - sitting in front of the men are Mr. Scott and my father, both wearing their round DI hats. This picture was also very special to all of us children. Therefore, this movie, while never going down as one of the great ones, will always have a very special place in my heart. It also gives me a better appreciation of movie "extras" and makes me wonder, "who are they and whatever happened to them"!

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• Watching the Movie in 1942 in the South Pacific made it very real

  holy12004-09-28

  I agree with the evaluation of bsmith5552 that it is a disappointing flagwaver, and essentially a U.S.Marine recruitment film. But it has its own place in history. I have just been refreshed as to that place in history by watching again the film version of Leon Uris's first (and maybe best) novel, Battle Cry. Uris dramatized his own experience as a young marine, first training in the States, then in Wellington and elsewhere in New Zealand and finally fighting in the islands of the Pacific He has a fascinating picture of what it was like for young Americans to find themselves in a strange and previously unheard of land like New Zealand. I was a Kiwi teenager in Wellington at that time and can vouch for the accuracy of Uris' depiction of the impact of the descent of thousands of young marines on our city and of their interaction with the locals. To the Shores of Tripoli screened in Wellington in 1942, not long after Pearl Harbor, in the time the newly formed Marine Divisions were there preparing for their involvement in the war in the South Pacific. Through that film we saw on our screens the training only months earlier of the men who were now in our midst. Bsmith5552 speaks of the repetitive sequences of close order drill. I watched the marine band perform those intricate marching exercises in colour film in a local cinema ("picture theatre" in our brand of English). This was the same week I saw them do it live in Wellington. I was transfixed as I saw utterly committed young marines rise and stand to attention in their places in the cinema as the Marines Hymn came through on the film's sound track. I was not simply present at a piece of entertainment. I was watching live drama. To the Shores of Tripoli may not have been a great movie. But in the South Pacific in 1942, when we (maybe unlike today's Iraquis) welcomed the Marines as life savers, preserving us from a Japanese invasion, it had its place in the drama of that time. I viewed it sixty years ago with great interest. I would like the little niche it has in cinema history to be remembered.

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• Semper Fi!

  pageiv2007-10-06

  I never heard of this movie until I saw it on FMC. As a former Marine I thought it stellar, though I'd never consider it a "war flick". Like the synopses says, it's about a cocky recruit and a hard core sergeant that knew his dad in WWI trying to turn him around. I'm amazed at the poor ratings here, there isn't much action, which may explain the 5.8 vote here, but the all star cast gives a knock down performance. The best part of this is a remembrance when Hollywood would line up for the military's help in making a movie with it shot at MCRD San Diego. This movie isn't about rouge officers, or sadistic NCO, it's not about military cover-ups, it's a great American movie about average people serving their country.

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• Despite all its shortcomings, forced patriotism, and light as air plot, I enjoyed it

  bensonmum22006-06-18

  To the Shores of Tripoli is the kind of movie that I generally don't care for. The title may conjure images of Marines fighting and dying on some foreign shore, but you won't find that here. Instead you'll find a flag-waving recruitment film that makes Marine basic training look like a trip to summer camp. The movie makes it seem that the entire eight week training is made up of little more than marching and doing drills in a parking lot. And when these guys aren't in the parking lot, they're pulling pranks and wooing nurses they've been told to leave alone. Abbott and Costello's Buck Privates has more in the way of military realism than To the Shores of Tripoli. Yet despite all its shortcomings, forced patriotism, and light as air plot, I enjoyed To the Shores of Tripoli. I was somehow able to put my brain on hold and go along for the ride. It's harmless, good-natured fun. Most of my enjoyment probably comes from the three main leads. John Payne, Maureen O'Hara, and Randolph Scott do a solid job with what they're given to work with. Much of the comedy works, particularly the hospital scene where Payne fakes an injury to be near O'Hara. And, To the Shores of Tripoli has an innocence to it that you don't find in movies anymore that I find appealing.

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• Before Sgt. Foley there was Sgt. Smith.

  PWNYCNY2006-05-31

  After watching this movie, I now know where the "Officer and a Gentleman" screen writers probably got their idea for the character Sgt. Foley. Randolph Scott was the Sgt. Foley of the 1940s. This movie was made during World War Two, but it spares us the jingoistic propaganda associated with most war movies of that era and offers interesting and likable characters, especially Maureen O'Hara as a Navy nurse and John Payne as the recruit. While watching this movie I thought of Richard Gere and how he would have fit in well in this movie. The similarities between this movie and "Officer" must be more than just coincidental. "Officer" was more intense but this movie did not need to rely on such theatrics to maintain audience interest because the star of this movie was the USMC itself.

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