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The Wind (2001)

The Wind (2001)

GENRESDrama,Horror,Mystery,Thriller
LANGEnglish
ACTOR
Carolyn CamburnPhilipp KarnerZeke RippyScott Parrish
DIRECTOR
Michael Mongillo

SYNOPSICS

The Wind (2001) is a English movie. Michael Mongillo has directed this movie. Carolyn Camburn,Philipp Karner,Zeke Rippy,Scott Parrish are the starring of this movie. It was released in 2001. The Wind (2001) is considered one of the best Drama,Horror,Mystery,Thriller movie in India and around the world.

An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo's directorial debut is a lyrical, meditative film charged with sex and violence.

Same Director

The Wind (2001) Reviews

  • A curious and compelling waste of time

    cthonas2004-06-13

    It is the early morning of our discontent, and some friends of mine and I have just gotten through watching "The Wind." Truly a disaster film. Not in the sense of forces of nature wreaking havoc on an unsuspecting populace, but rather an awful movie wreaking havoc on an unsuspecting audience. To give you an indication of how frustrating it was to watch this particular bomb, I'll give you an example quoted during my first pained viewing. If given the choice of watching this movie for a second time and, say, boiling myself, I'm afraid to say the choice would not be an immediate one. But rather than simply ranting "ad peliculam" with lousy one-liners, I'm going to get specific as to why exactly my friends and I panned this particular film. To start this off, I like low-budget horror flicks. I even like artsy, low-budget horror flicks. I liked "Cold Hearts", "Midnight Mass," "Jugular Wine," etc. Films that were ambitious and daring, even if they were lacking in production value, execution and even acting. Generally, an interesting premise, unusual camera technique or merely just a well done scene or two will save a movie that is running a little rough around the edges. With these provisos in mind, I would like to say conclusively that I hated "The Wind." The movie was probably most disappointing in the sense that it was incredibly frustrating to watch. From the actions of the main characters, to the flow (?) of the plot, to the big portents hinted at by the opening which ultimately aspired to dust (and did not even attach themselves logically to what transpired in the remainder of the film, and left the viewer, expecting something more, with a sense of much ado about nothing). The dialogue was spotty at best, woodenly delivered and completely unrealistic. By this I mean, no one in any of the situations that the characters were in would have reacted the way the characters did, or said the things that they said in the way that they said them. There was an obvious lack of vision and direction that would have corrected this problem. Character interaction and development was abysmal. Claire, the "lambent sex goddess," or so the aggravating, passive-aggressive lamesters in the movie thought, was so overt in her manipulations she may as well have pulled a gun on the characters. Nevertheless, she was the shining high point of the film. The other main characters (with the exception of Mick's Milfy Mom, who was not terrible) are so indistinct that they may as well have been portrayed by the same actor. Let's see if I missed anything: borderline personality, co-submissive goons with profound feelings of sexual confusion and inadequacy, spurred to fits of puerile rage through the artless orchestrations of a loose-lipped bimbette-suddenly-and-unmasterfully-turned-Caligari. No, I think that about covers it. Lack of scope was also problematic. How did those involved with the making of this film expect the casual viewer to derive that this was the beginning of the end of the world from this amateurish, unbelievable, poorly-portrayed lust pentagon (well, what would you call it?) that occurred largely in the woods in the middle of nowhere? There were no witnesses to the "atrocities" presented. There were no witnesses anywhere in this film. The believability problems stemming from this lack of attention to detail were rife even from the point where the plot begins to sicken. Case-in-point: If that guy Bob took that route through the woods to come home from the gym, and here's the key, ****every day****, there's a jolly good chance that someone else would have been around to see something at some point afterwards while the perpetrators argued vociferously about the crime scene. One would think that with the murder of a young man in the woods, said town would have been in an uproar, the characters would have been questioned, etc. But instead, there wasn't a witness in sight (other than Earl, the closet psychopath with no inner monologue). We suggest that there be no witnesses *for* this film, either. As for the quasi-homosexual meanderings present, I don't have a problem with those either. It's not as if they came as a surprise, considering we had been shouting as to the closet case stati of most of the male characters since the second scene. Again, not problematic in and of itself, but thrown in for the wrong reasons. It was utterly unnecessary, thrown in for pure "shock" and/or "dangerous art" value, and neither shocking nor dangerously artistic from any perspective. What we had instead was an awkward attempt to redeem a boring, clumsy movie with a boring, clumsy plot. The poorly hinted-at sexual tension, which was only hinted at heavy-handedly in anticipation of this flaccid snogging scene, only pushed this film further down the totem pole from "mediocrity warranting criticism" to "film sucking so bad that it lacks the inherent grace to suck enough to properly mock and harangue." So it is with most of the film, a lot of artistic fumbling, very little meat and a lot of aggravation. It's not that we don't get it. Oh, we got it, alright. We just don't want it. Look, the very fact that we were cheering the bludgeoning in the final scene as the *only* tableau that made sense on its face is an indication that something was terribly wrong with this film. Rather than moving briskly along as its name implies, this movie oozed languidly forward like the sweat trail working it's way down the side of your nose while your hands are full. Argh. That sensation pretty well sums up the gut-wrenching frustration realized while watching this train wreck. There is no breath of fresh air with regard to this movie, only the stale miasma of bad ideas poorly realized, putrefying before coming to fruition.

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  • rich in visuals, thin in story

    drone_1502003-07-09

    pretty disappointing. i was expecting more of a horror/thriller -- but this seemed to be more of an episode of dawson's creek but with out the acting. there were some very impressive shots, though -- almost worth seeing. maybe future efforts will improve.

  • A disjointed piece of pretentious fluff

    Siwaoracle2010-07-05

    In a word, this "movie" was dreck! Beginning with a silly premise about some girl (looks older) who got "annoyed" by a boyfriend's unwanted attention and puts out a "hit" on him via his 3 supposed buddies, this movie descends into a disjointed mishmash. It has absolutely nothing to do with the apocalypse or with wind (except when a wind blowing machine sends some leaves in the direction of the actors). The boy (who looks like a man) is bludgeoned by the three friends who do the girl's bidding. She looks as though she was supposed to be casting a spell over them. The brother of the victim appears on occasion out of the blue as a psycho with brotherly issues; one of the deadly trio has the hots for the killer's mother; it turns out that the girl sent a certain mash letter to herself which started the whole business; the original murderer is repentant but must be dispatched for his misgivings by the remaining duo; except for Philipp Karner (a bit of eye candy who later appeared in KISS THE BRIDE)who is around 20, the other actors are closer to forty and are being passed off as much younger (they act that way in any event). The movie throws in a three-way homo-erotic kiss near the end during a "super bonding" incident for a little titillation and concludes with a near rape of the killer's mother by one of his buddies before that individual and the killer get theirs in a finale that is so off the wall it will leave you with your mouth hanging open - but NOT in a good way. The extra interviews with some of the cast says it all.

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  • The full title should be "Breaks the Wind"

    eflynn-12002-09-23

    No offense, but having seen this film, it is currently way, way overrated. The premise was cool. However, It was way way too slow in its story progression. In my humble film editor's opinion it could use at least 20 minutes of bad pointless dialog deleted. And if an opening prologue goes past 2 minutes, you know it is covering for a lack of proper script development. What great shots and what little action there was in the film were greatly overshadowed by the large boring bits of celluloid stagnation between them. And what is up with that mini softcore menage a trois in the middle of the film? Unto itself that was almost the best part of the film. Unfortunately it had little to do with anything else in the plot. Much like how the premise of the script had little to do with the script, which had little to do with this movie. If this were edited down to a concise 20 minute short, It would be a kick ass film. However dragged out as long as it is, it just sucks the wind out of you.

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  • Why IMDb does not Offer Zero to Vote?

    claudio_carvalho2007-02-19

    Somewhere in USA, the young Clair manipulates her friends Mic, Billy and John, showing a letter that would be sent by Bob to her and the group cowardly beats Bob and Mic kills him with a piece of wood in the forest. Mic feels sorrow and decides to tell his mother what he did, but John and Billy threaten him, with tragic consequences. I believe "The Wind" is the worst movie I have ever seen in my life. The awful screenplay is ridiculous, and it is almost impossible to write a summary, since there is no story or plot, only sequences of disconnected scenes. The amateurish direction and acting are amazingly poor and terrible. It is unbelievable how producers invest money in such garbage, distributors release this crap worldwide and viewers like me buy this DVD. I waited until the very last scene because I was curious to see how bad this film could be and I was impressed, since it is worse than I could imagine in my lowest expectations. In the end, I question why IMDb does not offer zero in the vote system, since the garbage really deserves this vote. My vote is one. Title (Brazil): "Força Invisível" ("Invisible Force")

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