The Perfect Family (2011) is a English movie. Anne Renton has directed this movie. Kathleen Turner,Emily Deschanel,Jason Ritter,Richard Chamberlain are the starring of this movie. It was released in 2011. The Perfect Family (2011) is considered one of the best Comedy,Drama movie in India and around the world.
Eileen Cleary has just been nominated for Catholic Woman of the year when her family drop a bombshell. Over the dinner table she discovers that not only is her son leaving his wife and children for the local beautician, but her daughter is 5 months pregnant and about to marry her girlfriend. Desperate to win the award, Eileen is conflicted between shame over her family and still desiring to do the right thing by them. Unable to accept either of their choices her family begins to splinter, with even her husband threatening to leave. Ultimately this is a feel-good movie and Eileen proves herself to be a person worthy of both the award and her family.
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The reviews I've read miss the entire point of this script, IMO. KT's character has lived most of her life trying to earn absolution for an act any Catholic woman, and most women who are mothers, would never be able to forgive themselves for (never mind one's political position on choice). She's dedicated her life to good works in her local diocese toward this end and, as a result, is offered the possibility of "complete absolution" of her sin by the church. After 30 years of attending confessional to absolve herself of her petty sins -- taking the lord's name in vain; doubting tenets of her faith -- this possibility of forgiveness for what, as a woman, is unforgivable, means everything to her. When that clashes with the realities of her family situation (gay daughter, divorcing adulterer son, husband who can no longer tolerate her self loathing and resultant intolerance), she must traverse a lot of emotional territory very quickly, because if she wants the absolution she thought mattered most, she has little time to make the case to the Church she has the "right" Catholic family, when everyone she loves needs her forbearance for being who they are, and none of them judges her or, if they knew the facts, would readily forgive her for her One Great Sin. There are clunky scenes, but I loved this story and these characters. (And wish NYT ratings were easier to navigate and edit).
Beginners Anne Renton, director, and Paula Goldberg and Claire V. Riley, writers, had a good idea when framing this story about a mother's bigotry hidden under the cloak of Catholicism, and the film could have been extremely pertinent in today's milieu of the President's sanctioning of same sex marriage. The problem is the script is so weak and pasted together that it gives very little weight to the actors to bring off the message that could have been important. Yes, some viewers may rile that the film is anti-Catholic but it is not - it is just anti-prejudice. Eileen Cleary (Kathleen Turner, crippled by a weak script until the very end of the film), a woman who devotes 98 % of her life to tending to her church duties and caring for the elderly who are house bound and other good Christian deeds, has been nominated as Catholic Woman of the year: the other nominee is Agnes Dunn (Sharon Lawrence), an almost equal do- gooder - both nominated by Monsignor Murphy (Richard Chamberlain). Eileen's family must be approved for the award and that is when the balloon of Eileen's glee seems to pop: her husband Frank (Michael McGrady) is an alcoholic who has been sober 15 years and must attend AA meetings; her son Frank, Jr (Jason Ritter) has left his wife and family for a manicurist whom he loves; and her daughter Shannon (Emily Deschanel, a successful 30- something lawyer and 5 months pregnant, is about to marry her girlfriend Angela (Angelique Cabral) in a same sex wedding to be performed by Father Joe (Scott Michael Campbell). Eileen is disturbed that Anglea's parents (Elizabeth Peña and Gregory Zaragoza) approve and will host the wedding. Desperate to win the award, Eileen is conflicted between shame over her family and still desiring to do the right thing by them. Unable to accept any of their choices her family begins to splinter, with even her husband threatening to leave. How it all turns the corner is when Eileen finally reveals a secret of her own she has always had to hide for fear of being judged a bad Catholic. The ending is the best part of the film as it finally shows Eileen to be a more complete human being and things seem to fall in line. The cast tries hard to make this all work and succeed as far as the script will allow. Katheen Turner, looking cosmetically and adipose altered, struggles with her role, but by film's end she seems to succeed in conveying the message of the film. Grady Harp, May 12
I'm surprised at such a low score for this movie! First, please know that I was born, baptized, and raised Catholic. I've since moved to another religion, but not for any "Catholic hate" reasons at all. So I have a STRONG knowledge of Catholicism. It seems MOST of the negative reviews claim it's "Christian/Catholic bashing"... I would wonder how many of those folks actually WATCHED it or just wrote a review based on a presupposed notion. There is NO Christian bashing at all IMO. Just portraying people such as I've known all my life the way they are, and the portrayal isn't bad in any way, as far as I'm concerned. Overall it's very balanced - yeah there's a few potshots at Catholics ("I don't have to think... I'm Catholic") but overall, the portrayal is VERY accurate to my Catholic upbringing and those in the faith I know today. Sure, hardly ANY nuns still wear the habit - but it's just little things. By and large the portrayal I thought was fair on ALL SIDES, not only for the Catholics but all the other characters. I'll be honest and say I FULLY EXPECTED a "Christians are stupid knuckle dragging Neanderthals" flick - I expected to shut it off half way through. Instead, I watched the whole thing and rather enjoyed it. The movie itself actually plays quite well - Kathleen Turner takes a bit of getting used to because of her very deep, manly voice... but overall, it has a nicely done "indie" feel to it in every way. No, it's NOT an award contender in any way - some of the acting is rather stiff and forced, the plot is predictable, and there are quite a few clichés and stereotypes. But it's VERY watchable, totally held my attention, was touching in places, and ENJOYABLE to watch right up to the end for me. Give it a shot - don't let the negative reviews implying it's a "Christian bashing" flick deter you.
Despite the reviews that say it's an anti-Catholic movie, it's not. It's a movie about a family, and the mother happens to be Catholic and struggling between her reality and the reality of the church to which she belongs....which happens to be Catholic. Just sit back and watch the movie - it's got some nice, thought-provoking dialog and if you have to tear a movie down because it makes you ask questions....then maybe you should focus on your own life and stop watching movies! Mister Ritter is also a treat to watch, so much like his father, who would be proud to see what a nice actor his son has become.
As a fallen-down Catholic with reservations about the Church, I wasn't prepared for an even-tempered story about a devout mother, Eileen (Kathleen Turner) facing a family at odds with some basic Church doctrines. While I still stay away, I found The Perfect Family wise about the devotion of true believers and wary of extremists. Eileen has been nominated for Catholic Woman of the Year (disclosure: one of my former wives was elected Vermont Catholic Mother of the Year—a true irony). In order to impress the archbishop, she must show an exemplary family. Not easy, as she discovers a son about to divorce and a daughter marrying a woman and having a child. Modern as these situations are, they are not acceptable to the teachings of the church about the sanctity of marriage and children born of that union. The film gently but assuredly moves Eileen's life along just as you might expect it to go with any contemporary Catholic family facing decisions. Although the denouement is too pat, it doesn't deviate too much from what might really happen, and with a little surprise accompanying it all. Kathleen Turner provides the right amount of hyper-ventilation when faced with the truth of her children's situations and her formerly alcoholic husband. Richard Chamberlain as Monsignor Murphy shows director Anne Renton's sense of humor using an actor who played a randy prelate in The Thorn Birds. In Catholic town, nothing is as it seems except for my very real indoctrination by the Sisters of Saint Joseph.