The Passion of the Christ is a Aramaic | Latin | Hebrew movie. Mel Gibson has directed this movie. Jim Caviezel,Monica Bellucci,Maia Morgenstern are the starring of this movie. It was released in 2004. The Passion of the Christ is considered one of the best Drama movie in India and around the world.
A depiction of the last twelve hours in the life of Jesus of Nazareth, on the day of his crucifixion in Jerusalem. The story opens in the Garden of Olives where Jesus has gone to pray after the Last Supper. Betrayed by Judas Iscariot, the controversial Jesus--who has performed 'miracles' and has publicly announced that he is 'the Son of God'--is arrested and taken back within the city walls of Jerusalem. There, the leaders of the Pharisees confront him with accusations of blasphemy; subsequently, his trial results with the leaders condemning him to his death. Jesus is brought before Pontius Pilate, the prefect of the Roman province of Judaea, for his sentencing. Pilate listens to the accusations leveled at Jesus by the Pharisees. Realizing that his own decision will cause him to become embroiled in a political conflict, Pilate defers to King Herod in deciding the matter of how to persecute Jesus. However, Herod returns Jesus to Pilate who, in turn, gives the crowd a choice between ...
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The second the movie was over, I was dumbstruck, and I wasn't the only one. When the movie ended I thought there would be a big round of applause but when I turned around I saw that about half the audience was still in their seats. I looked at a couple of people, some were speachless and most were crying. Nonetheless I didn't hear a word. When I thought about it, i realized an applause would have been ridiculous. When someone asked me how the movie was I was going to say it was amazing, but that wouldn't have done the movie justice. The movie was an extremely moving, emotional experience. The cast was absolutely flawless, Jim Caviezel gave a powerful performance as Jesus, Maia Morgenstern as Mary brought me to tears, and even though Monica Bellucci spoke only a few lines, her performance and beauty astonished me. The score was incredible. It had a middle-eastern feel to it, and was timeless and beautiful. Most aspects of the movie were perfect to me. Instead of a squeaky clean version of the life of Jesus it was a realistic and heartbreaking portrayal of his final hours. The Aramaic, Latin and Hebrew languages, and wonderful cinematography made you really feel like you were in first century Jerusalem. The flashbacks truly had an emotional impact on me. While watching this movie I forgot about everything else in the world. Mel Gibson did an incredible job as a director and he truly was brave for taking on this project despite all the controversy. As for the two main concerns of most people, the ultra-violence, and the alleged anti-semetism these are my views on the two. Everything people are saying about the violence is true. It is brutal, gory, and quite possibly the most violent work in cinematic history. This R-Rating is very well justified and an NC-17 would have made sense. If you are the type of person that cannot bear violence, this is definately not the movie for you. Some scenes of torture last about 10 minutes when you feel you've seen enough after 30 seconds. But, the violence I feel was absolutely necessary. The movie is about the suffering/passion of Jesus, and turning the camera away would not have an impact on you. The movie shows what Jesus actually went through for all of mankind's sins (according to Christianity). Mel Gibson did not exagerate the violence or make it look like horror movie or Kill Bill violence. As Jay Leno said on his show the other night, when Jesus was hit it felt like WE were being hit as opposed to other violent movies were you feel like YOU are the one hitting the person. I don't think anyone can say that every single hit upon Jesus didn't affect him/her somehow. As for the anti-semetism in the movie, I didn't find it was as bad as everyone is making it out to be. The thing that made me see why people were criticizing Mel Gibson for was that instead of spreading the blame somewhat on the Jewish high priests (Sanhedrin) and mostly on Pilate, 99% of the blame was put on the Sanhedrin, which seemed false to me considering that historically it is known that Pilate was a vicious monster, and in the movie he seems like a gentle person and reluctant to crucify Jesus. I simply didn't buy the fact that Pilate would be so nice. The movie can be considered anti-first-century-Romans, and anti-Sanhedrin, but I did not feel the movie was attacking the Jewish religion, or the entire Jewish people. But the movie is not anti-semitic for these reasons: 1. It is made evident that it was Jesus' prophecy and destiny is to die. He could probably have escaped from Gethsemane or even the cross (if he truly had ''powers''). He was born to die, and there is no blame to be placed on anyone. If anything, the Romans of that time are portrayed horribly (though realistically), and they are the ones that made him suffer tremendously before his death. 2. Basically all the ''Good Guys'' in the movie are Jewish. Jesus himself was a Jew, Mary was, The man that helped Jesus carry the cross was Jewish, Veronica the woman that brought Jesus water and wiped his face was, and many Jews were screaming in the crowd against the torture and crucifixion of Jesus. (Personally, I don't know why Pilate was portrayed so nicely. It's not like the Jews had the ultimate power. It was ultimately HIS decision to have Jesus crucified.) An aspect of the film that intrigued me was the character of Satan, and the demons in the movie. When I first found out Satan was in the movie, I was scared it would be a red man with horns and a pitchfork, but he/she is portrayed subtly. Everything about him/her was very Eerie. Mel Gibson deserves a lot of respect for making this film. He made the movie the way HE thought it was and though most historians or even religious figures would not agree completely to what happened, it is a general idea as to what those final hours were. When reading the new testament or hearing the story of Jesus, it's hard to understand what it was actually like for Jesus to go through all that pain, and what it was like for Mary to watch her son get tortured and crucified. The movie really put things in perspective for me. Some people are criticizing him for adding things never written in the gospels such as demons harassing Judas Iscariot, most scenes with Satan, and the torture from Gethsemene to the Jewish court, but he had to fill the blanks in the Gospels with what he thought might have happened. In conclusion, not everyone will like this movie. Some will love it, and some will hate it. But, I think that if you can endure the extreme violence and torture you should at least see it before you judge it. My opinion: 10/10
A lot of critics I have heard disliked or even dismissed this movie. They seemed to think that the movie should have focused on Christ's ministry and his teachings, and not on the crucifixion and the events leading up to it. These critics miss the point of this movie. As with all movies, The Passion was directed at a target audience, in this case Christians. The point of the movie was simply this: to make Christians understand, in a visceral way, what they knew intellectually from reading the bible: that Christ endured a horrible and brutal death in order to save us from our sins. It was completely successful in this, and was, perhaps, the most powerful movie I have ever seen.
This film is neither preachy nor pedantic, and was a welcome surprise for me. As a non-Christian who nevertheless respects the historical figure of Jesus Christ and the beauty of his philosophy and teachings, I found The Passion to be a powerful portrayal of much that I think is worthwhile about the Christ story. I know the film has been maligned for anti-semitic content (perhaps because Jews make mistakes in the film and are seen as persecutors instead of victims? - it could have been anybody!), and for various other problems - but let's face it - any movie portraying this subject was bound to face strong reactions. And kudos to Mel Gibson for not shying away from the subject by creating a sterile, gutless, Disney story out of what really was a good example of the everyday horror of life on the fringes of the Roman empire. Gibson invents a new genre with The Passion - that of historical horror. The performances in this film are inspired. I felt that the film brought out the cowardice of the apostles very forcefully, and the courage and love of the two Maries in Jesus' life was palpable to the very end. The effect of Aramaic and Latin, with the moody soundtrack, was spellbinding. Again kudos to Mel Gibson for his courage and artistic integrity on the decisions involved in these elements of the film. Final word - this is not a film for the whole family nor is it a feel-good film. Don't see it if you're not willing to confront the worst aspects of human nature up close. And don't go in looking for your own version of the story - it's not your film! This is what Mr. Gibson believes, and it's his own revelation, not necessarily to be shared by all.
I've seen a lot o people talking trash about this movie - even a lot of christians -, and I find it hard to understand why. Philosopher Peter Kreeft called it the "most beautiful movie ever made", and when I think about it in the light of the Christian faith, it's hard to disagree. First of all, passion means suffering, and for all those people that complain about the violence in the movie, I think it's because they don't get Christ's Passion at all. The emphasis on violence is fundamental, as it's what reveals how much God suffered because of what I did. So I, the spectator, am experiencing with all my emotions what I can only imagine and reflect about when reading the Gospels. And I'm not the kind of person that reads about Jesus crucified and direct relates it to all the bad things I did to contribute to that moment, and even when I do, it's more like in a lucid, almost indifferent way, while the movie forces me to feel the burden that I've put on My Lord's shoulder. This is of course from my Christian perspective, and I wouldn't even try to talk about what's great in the movie from a secular perspective. The lens through which one watches it it's what define its greatness. And that lens is faith. So I really don't think it's a big deal if an atheist doesn't like it; but if a catholic doesn't like it I'll be confused. The way Jim Caviezel plays Jesus is so powerful. He seems very humble, very vulnerable, very soft, yet very strong and confident. When he talks to the people, you feel so much goodness in his tone; when he is accused of blasphemy you can feel his innocence even if nothing is spoken. When he is carrying the cross and falls, Mary runs to him and it's such a symbolic scene of how much she loves her Son, and how much she wants His suffering to end, even though she accepts the will of God. Mel Gibson did a great job with all the symbolism in the movie: Mary's obedience; Judas' desperation; all the people shocked by Jesus' mere presence. There's so much of it, and it feels so natural. I can only assume that christians that don't like The Passion of the Christ are those that didn't actually take their time to think about the Passion of Christ. The movie is a chance to do so. It's ugly and repulsive? Yes, but only for a moment. When you realize that it captures the essence of God's love for humanity, it becomes eternally beautiful. Jesus didn't have to do that. He did because of me, because of you; because He is the good shepherd that lays his life for the sheep. So what if the reality of the Passion is full of gore and tears and injustice? We are the cause of that, and sometimes we better realize it by having it thrown on our faces, however hurt we may end up feeling. Just remember that our pain is nothing compared to our Lord's pain. I can only speak for myself when I say that my love for my Savior is very small; but I know very well that He loves me with a heart that is ready to bleed without hesitation, even though I'm not worth it.
It took me a long while to decide whether to see The Passion of the Christ. It had been my intention to since Mel Gibson first announced the project, but endless reports of the film's unflinching brutality made me fear it might be too much to bear. I eventually decided, however, that whether I really wanted to or not, this was a film I needed to see. It took me two viewings to really get a grip on it, so intense were the emotions it provoked in me. Even now, weeks later, re-examining it in detail is still deeply affecting. For those few still unaware, the film details the last twelve hours in the life of Christ. Its dialogue is entirely in Latin and Aramaic, with English subtitles, a remarkably bold decision by Gibson, and one that pays dividends. On one level it unites an international cast, sparing us any clashing accents, and gives the film a greater sense of authenticity. On another, it forced Gibson and his team into a very visual form of storytelling; even amongst the carnage there are shots of aching beauty. Huge credit must go to the cast for mastering the language, and employing it in such universally excellent performances. As Jesus, James Caviezel has the immense task of embodying the most important figure in human history, and often doing so with little dialogue, and one eye swollen shut. Despite these handicaps Caviezel delivers a performance of great emotional depth, embodying quiet nobility and sacrifice. The performance that really stood out was that of Maia Morgenstern as Mary. The pain she conveys through her large and expressive eyes is heart-breaking, as she is forced to watch her child endure the most unimaginable suffering. Yet throughout the film she maintains an almost luminescent beauty, entirely befitting the mother of God. One of the themes of the story emphasised by the film is the bond between Jesus and Mary. One flashback, found nowhere in the Bible, details the mundane routine of Jesus being called in from carpentry by His mother to eat. It was an immensely powerful reminder that for all He was the Son of God, Jesus was also the son of an ordinary woman, who He loved as any child loves its mother. It was also from this vein that the most powerful moment of the film sprang. As Jesus carries His cross, Mary begs John to get her closer to Him. She emerges into His path just as He fall under the weight of the cross. She runs to His aid, and as she does so the film cuts between this, and a similar moment when Jesus was a child and fell outside the house. While she could offer him protection then, now she is powerless; she weeps as the guards thrust her roughly away from her son, and so do we. It is moments such as these that make the film so much more than the orgy of violence its detractors claim. For example, Peter's panicked betrayal, and subsequent horrified realisation of what he has done is handled in such a way as to move one to tears. There is also an immensely poetic moment near the film's end, in which the camera tracks the progress of a single drop of rain from miles above Golgotha, which falls as Jesus breathes His last: a teardrop from Heaven. As a film, The Passion of the Christ is excellent; as a religious experience it is even better. Gibson has come under attack for focusing merely on Jesus' death, and omitting His message of love - this criticism is both unfair and ill-judged. In fact, he strikes the perfect balance, including flashbacks at pivotal moments of the film to events such as Jesus washing the disciples' feet, the Sermon on the Mount, and the Last Supper. These remain very true to the text, with quotes such as "You are my friends, and the greatest love a man can have for his friends is to give his live for them" (John 15:13) incorporated whole and delivered beautifully. Even is there were no flashbacks, however, the point of the film would remain, and it is a vitally important one. It serves as a powerful reminder of the reality of what happened: Jesus did not merely die for us, He was killed by us in the most terrible way imaginable. It is something that can easily be lost through over familiarity with the text, and the flowery nature of other representations, but which must not be forgotten. It has been said that "If Christ be not risen, then our faith is in vain", and the film has also been attacked for devoting just a few minutes to the Resurrection. Such criticism, however, betrays a very narrow minded approach; the manner in which this sequence is filmed conveys the full thematic significance it. Perhaps the film's greatest impact has been to get me to pick up the Bible again, and do so with a new faith and understanding. And for that Gibson deserves nothing but praise.
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