The Day the Earth Stood Still (1951) is a English,French,Hindi,Russian movie. Robert Wise has directed this movie. Michael Rennie,Patricia Neal,Hugh Marlowe,Sam Jaffe are the starring of this movie. It was released in 1951. The Day the Earth Stood Still (1951) is considered one of the best Drama,Sci-Fi movie in India and around the world.
Travelling with mind-boggling speed, a gleaming unidentified flying object zooming in from the boundless deep space, penetrates the Earth's atmosphere, landing smoothly in Cold War-Washington, D.C. Encircled by large yet feeble military forces, the peaceful intergalactic ambassador, Klaatu, emerges from the mysterious vessel accompanied by the silently dangerous robot of incomprehensible power, Gort, only to witness firsthand the earthlings' hospitality. The sophisticated humanoid declares that he comes in peace; however, he needs to assemble the world's greatest minds to hear his merciful warning and a definitive ultimatum. Is Klaatu the messenger of humanity's doom?
THE DAY THE EARTH STOOD STILL is such a basic Science Fiction story that many first-time viewers have been stunned by the reverence in which it is held. An alien arrives on earth, is misunderstood and is nearly killed, passes a warning to mankind to not carry the weapons of potential nuclear war into space, or face annihilation, then leaves. The FX are minimal, there are no 'space battles' or 'monsters', even the score, by the legendary composer Bernard Herrmann, is simple, lacking the bombast of later 'epics'. Yet in it's very simplicity, director Robert Wise has created a tale more timeless and relevant than many other 'message'-driven SF blockbusters that followed. Based on Harry Bates' short story, "Farewell to the Master", which paints a far less friendly view of our galactic community (Gort, the enforcer robot, is revealed to be the true 'Master' of the story, not Klaatu, thus revealing that machines are controlling the Universe), 20th Century Fox and director Wise quickly butted heads on how the film should be presented. Fox envisioned Spencer Tracy as Klaatu, believing that the legendary star's well-established persona would make the SF elements more 'understandable' to audiences. Wise scoffed at the notion, arguing that no one would ever believe Tracy was an alien, and searched until he found relative newcomer Michael Rennie, a gaunt, sensitive British actor, whom he felt best suited the Christ-like quality Klaatu had to possess (even the name Klaatu adopted to mingle with humans was 'Carpenter'). For earth's greatest scientist (a thinly-disguised Albert Einstein), Wise cast screen veteran Sam Jaffe, which also brought a howl from the studio, as the actor was being investigated by the House Un-American Activities Committee, in the midst of their infamous 'witch hunt' and blacklisting of Hollywood's supposed Communist sympathizers. Jaffe proved a perfect choice, however, displaying many of the qualities he would later bring to 'Dr. Zorba' on "Ben Casey". Rounding out the cast were popular actress Patricia Neal (still recovering from her failed relationship with Gary Cooper), Hugh Marlowe (fresh from the success of ALL ABOUT EVE), and Billy Gray (who would go on to great success in "Father Knows Best"). The true casting coup, however, was finding 7-foot Hollywood doorman Lock Martin to portray the robot, Gort. Encased in foam rubber 'armor' and 'lifts', to bring his height to nearly eight feet (he actually wore two different outfits, as the seam was impossible to hide, and would always have to be on the opposite side to the camera), Martin, who, Wise acknowledged, was not a physically strong man, would occasionally faint from heat exhaustion (if you watch him carefully, during the film, you can actually see moments when he would start to tilt over). The scene where he carries Neal on board the spacecraft was a major achievement for the easily tired giant, and the actress, who was afraid, justifiably, that she might be dropped! The filming was, by and large, an enjoyable experience for the cast and crew (although Patricia Neal, in later interviews, said that it was nearly impossible for her to say the film's famous 'tag' phrase, "Klaatu Barrada Nikto", without breaking into giggles). Everyone knew the end result would be special; Michael Rennie, ten years later, would call the role the most "important" of his career (NBC would even bring him in to host the network premiere of the film, on "Saturday Night at the Movies"). With it's anti-war stand, the film was the direct counterpart of the year's other 'classic' SF production, THE THING FROM ANOTHER WORLD, the first of Hollywood's 'alien invasion' films. In THE DAY THE EARTH STOOD STILL, 'Mankind' is the true monster, toying with nuclear weapons, constantly fighting, and willing to kill a peaceful emissary, without allowing him to deliver his message or offer his gifts to the world. "Man must grow up, or be destroyed" was a powerful message, in 1951, particularly when Wise panned his camera over Arlington Cemetery, with it's thousands of headstones, as Klaatu/Carpenter viewed, sadly, the end result of our fixation with warfare. The message is even more relevant, today, which is why THE DAY THE EARTH STOOD STILL remains a classic.
This science fiction classic is more relevant than ever, and I don't mean its silly message about peace. Yes, yes, we're all violent, silly, war-like humans, and we should all throw away our guns and atomic bombs posthaste if we know what's good for us. Thanks, Klaatu. We'll get right on that. Meanwhile, we'll enjoy the chance to watch your story on DVD because we live in an age yes, of war and cruelty and weapons of mass destruction but also of Jar Jar Binks and "Alien vs. Predator." Klaatu (Michael Rennie) is a gentlemanly outer-space alien who comes to earth in his flying saucer to send us Earthlings a very important message. Sadly, we shoot him on arrival and try to imprison him in a hospital room. He escapes, however, and goes out among us to find the basis for our "strange, unreasoning attitudes." He takes a room in a boarding house, where he meets the widowed Mrs. Benson (Patricia Neal) and her young son (Billy Gray). The widow is being romanced by an insurance salesman (Hugh Marlowe), who later displays a lust for glory that endangers Klaatu and thus the rest of the world. Klaatu is in better hands when he reveals himself to Professor Barnhardt (Sam Jaffe), a brilliant scientist and the best hope for the survival of Earth. It's funny, but I never think about this movie in terms of that plot outline. To me, this film is composed of small moments about people especially Mrs. Benson. Mention "The Day the Earth Stood Still" to me, and the first thing I think about is that moment where the strange new boarder tells her that he'd like to spend the day with her son. She hesitates a moment and says in a lowered voice, "Well, that's awfully nice of you to suggest it." It's a tiny moment about her concern for her son, her good manners and her intelligent ability to reply quickly and diplomatically. Patricia Neal, not Gort the robot, makes this movie come alive for me. The real reason this story is so fresh is because it's a good story. It's not an excuse to slap us senseless with fast-paced cutting or drown us in great globs of special effects. It has an engaging plot with warm, interesting characters. If we stupidly (and as you know, Klaatu, we humans can be so very stupid) limit ourselves to the New Releases section of the video store, we forget that some sci-fi thrillers put story before special effects. The trick work in this movie is excellent, though. I think the robot looks silly, but when Gort opens its visor and we hear that unnerving theremin music, we don't care that this supposedly metallic creature bends like Styrofoam at the knees. We know those laser beams eyes are about to scorch everything in their sight. Michael Rennie makes up for Gort's deficiencies. He gives what easily could have been a humorless, sanctimonious character a quiet, graceful authority. His slightly otherworldly looks add to the illusion; and Neal as Mrs. Benson completes it by reacting to him with obvious respect even when she fears him. Under Robert Wise's direction, every shot is strikingly composed and brings out the maximum dramatic potential of the story. The sense of rhythm and pacing is beautifully suspenseful. Bernard Herrmann, with the theremin as one of his instruments, gives the movie both a nervous tension and a sense of wonder. And the story is so perfectly constructed that it even gets away with a big speech for a climax. What's the heart of this movie? There's a bravura sequence where Billy Gray secretly follows Rennie from the boarding house to his spaceship. It's a simple, wordless scene where the entire team of filmmakers and that goes double for Herrmann meld the ordinary and the fantastic. You want a special effect? That's it.
When I first saw this movie (on television circa 1957)I was just a young child four years of age. I remember sitting on my father's lap and watched the whole thing through my fingers as I held my hands over my eyes for protection (yeah...right!). Gort and Klaatu were magnificent space travelers...and with a message of peace during a time that the Soviets and U.S. were deep into the 'cold war'. Very timely! Very scary! It spooked me then and I still get a chill watching the movie today. But, it's one of the classics that will live on forever! It's message is as meaningful today as it was back in the 50's. Maybe we should all watch it again and take notes.........
I remember several years ago in my film appreciation class, we were learning about the 50's, our professor had mentioned how many sci-fi films were made with Russian villain undertones as well as the cold war. We watched some of The Day the Earth Stood Still and this film just jumped at me, it was so different than any other film I had seen. I thought it was going to be so cheesy and lame since it was a 50's film, but after watching a little bit of it, I didn't realize the strong message it held. I remember in Terminator 2 there was a line that I still hold true to this day "It's in your nature to destroy yourselves", that maybe it's not all technology that will destroy us, but we are our own worst enemies. The Day the Earth Stood was before The Terminator, just like Metropolis was before this film, but these are the best stories and it's like watching a history lesson on film about the time and feel of the 50's. An alien spaceship has landed in Washington, D.C., but it's not what you think with the "take us to your leader" type of thing, rather a human like alien comes out offering input on what is going on in the universe, but he is immediately attacked by the humans and taken hostage. His name is Klaatu, he tries to explain several times that he's not here to hurt anyone, but the humans don't trust him. He escapes and goes to a family, since no one knows what he looks like, they think that he's a regular man who just needs a place to stay. He stays with a family and they show him around, they think he's a little strange but very polite and nice, but when they learn of his true identity, he tells them of what his intentions are to mearly warn Planet Earth of it's impending doom. The Day the Earth Stood Still is a true classic, I know there are a lot of young people who complain about the ending, how it's so anti-climatic, but I feel that it's a perfect film and I am so ticked off that it's being re-made. But I guess we will have to see what the film will be like, who knows? It might be good... yeah, right, sorry, was just trying to be nice. But I highly recommend you watch this movie, it's a true classic that has a strong message, has great actors, and fun effects. It's fun to watch these films, I wonder if they realized while making this film back in 1951 that they were acting out their own culture and history. 10/10
This was one of the first sci-fi movies I ever saw and one by which I gage all others. Before there was 'Star Wars' there was 'The Day The Earth Stood Still'. It brought together all that later sci-fi movies strive for. A solid story, believable characters and, for the day, great special FX. It was an examination of society at the time and the racial prejudice that permeated all levels of life. It studies mans fear of the unknown and the violent reaction it produces even today, and how the love of one person can change the course of events for the better. It's a movie that can still stand on its own even by today's standards and should never be remade. But that's just my opinion.