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Tarde para la ira (2016)

Tarde para la ira (2016)

GENRESAction,Crime,Drama,Thriller
LANGSpanish
ACTOR
Antonio de la TorreLuis CallejoRuth DíazRaúl Jiménez
DIRECTOR
Raúl Arévalo

SYNOPSICS

Tarde para la ira (2016) is a Spanish movie. Raúl Arévalo has directed this movie. Antonio de la Torre,Luis Callejo,Ruth Díaz,Raúl Jiménez are the starring of this movie. It was released in 2016. Tarde para la ira (2016) is considered one of the best Action,Crime,Drama,Thriller movie in India and around the world.

In a squalid working-class cafe located in a barrio somewhere in Madrid, hard-working single mother Ana struggles to make ends meet as a bartender, living a simple and routine life with her only son. Patiently, for the past eight long years, Ana has been waiting for her criminal boyfriend Curro's release, while in the meantime, the unassuming and gentle Jose has already become a regular customer spending a lot of time in her cafe, quite obviously in fond of her. And then, one day, Curro is finally released, still violent and resentful after his long-lasting incarceration, threatening not only Ana's peace but also her tentative and fragile romance with Jose. Eventually, having no other choice but to escape, Ana will accept Jose's offer to live with her son in his secluded cottage, completely unaware though of quiet Jose's inscrutable and utterly impelling motives.

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Tarde para la ira (2016) Reviews

  • Very effective Spanish thriller

    rubenm2017-05-22

    The single most important thing distinguishing a good thriller from a bad one, is the screenplay. It has to be simple but effective, with lots of suspense and without any unnecessary subplots. 'Tarde para la Ira' is a great thriller, because the writer, who is also the director, has stuck to this basic rule. The story of a man who waits for years to take revenge, is very effective. And the carefully planned way he finally gets even with his adversaries, keeps you on the edge of your seat until the very last moment. Also, this film is very good in creating the right atmosphere. There's nothing polished or glamorous about the people in this film. They are as rough as the working class neighbourhoods in Madrid, where the film is set. The great thing is that the film doesn't need many action scenes. There is one great scene, the very first one, shot from the viewpoint of a driver, who is trying to escape from the police after a robbery. This is a crucial scene, but why it is so important becomes clear only later in the film. There are a few violent scenes, but they are filmed in a very matter-of-fact style. This film seems to be a perfect candidate for an American remake. It doesn't take much effort to change the setting from Madrid to Chicago, Los Angeles or Miami. On the other hand, I doubt if an American director can do as good a job as Raúl Arévalo.

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  • Very good thriller vengeance with portentous performances from Antonio De La Torre and Luis Callejo

    ma-cortes2016-10-14

    José (Antonio De La Torre) falls in love for Ana (Ruth Diaz) , Juanjo's (Raul Jimenez) sister-in-law , who works as a waiter in the bar of his brother . But the tranquility finishes when Curro (Luis Calleja) , Juanjo's brother, is freed from prison after various years in jail by a robbery to a luxurious jewelry where the salesman ended in a permanent coma and the saleslady was killed by one of the thieves . A merciless avenger José quietly plans to find and exact revenge against the thieves and his emotional loneliness and isolation to be led to tragic consequences . After a strong discussion between Curro and Ana , José moves Ana and her little son to his cottage to keep them away from Curro . As the avenger José has only one thirst : blind fury and bloody revenge . As the extremely violent José seeks vendetta in order to discover the identity of the rest of a criminal bunch (Manolo Solo , Font García) , as taking the law into his own hands against them . While the anger grows within him José executes a relentless revenge , acting as judge , jury and executioner against those responsible of the deaths his beloved beings . At the beginning he kidnaps Curro . As Curro and José start traveling by some towns looking for the Curro's colleagues in crime . As Curro makes common cause with José , knowing that if anyone stops it , he probably ends being another victim more of the violent homicidal instincts of José . At the end takes place an astounding tragedy and surprising final . This is an exciting , though downbeat , revenge/thriller in which there is action , violence , a triangular love story , interesting characters and surprising twists . The violence could be deemed excessive , especially when it occurs some grisly killings . The plot is plain and simple , a strange man seeks avenge , at whatever cost , against the nasty robbers who ransacked and killed his loving beings . Very good acting by Antonio De La Torre as a silent and circumspect man who loses his sweetheart during a vicious robbery at a jewelry store , seeking revenge for the salesman and the saleslady dead at the robbing . Sensational Luis Calleja as a delinquent who is freed from the jail after eight years by a robbery . Support cast is pretty well , such as : Raúl Jiménez , Font García , Pilar Gómez and Alicia Rubio . Special mention for Manolo Solo , he steals the secondary show as a peculiar ex-delinquent as well as his previous role as judge Ruz in ¨B¨ . Nice and evocative production design , as we see some slums or "barrios" from Madrid outskirts and some fine locations . The director creates a sort of Spanish Neo-Realism by tackling the Spanish streets , being rightly portrayed the city of Madrid , in the so-called popular Barrios . His style is pretty much urban and realistic as well in the atmosphere as in the fresh dialog . Filmmaker Raúl Arévalo shows the environment of these ¨barrios" , toughness and cold existence along with some nice scenes . Evocative and dark cinematography by Arnau Valls Colomer , being filmed on Madrid locations . Thrilling and resounding musical score by Vanessa Garde and Lucio Godoy . "The Fury of a Patient Man" or ¨Tarde Para La Ira¨ was compellingly written/directed by Raúl Arévalo at his film debut , realizing in a realistic as well as moving style . It got a a big hit in Venice Film Festival 2016 and it Won : Venice Horizons Award to Best Actress : Ruth Díaz and being Nominated Venice Horizons Award Best Film : Raúl Arévalo . Actor/writer/filmmaker Raúl Arévalo was born (1979) in Madrid , where is set ¨Tarde Para La Ira¨. Arevalo began working in cinema in the early 2000s as a secondary actor and filming some shorts and writing screenplays . He is a great actor , known for La Isla Mínima (2014) , También La Lluvia (2010) and for TV series as Con Culo Al Aire (2012) , El Tiempo Entre Costuras (2013) , Velvet (2015) , La Embajada (2016) . And fetish actor to Daniel Sánchez Arévalo , including prestigious films as Primos , Azuloscurocasinegro , Gordos and La Gran Famila Española .

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  • Spanish Ruin

    kosmasp2017-06-16

    As in Blue Ruin. If you've seen that, you know what I mean by that. If not let me break it down. If you've seen the trailer you know what this is about. A man seeking revenge to those who have done wrong by him (his loved ones to be more truthful). And while this is down and dirty, it also is very real. It does not shy away from violence, but it does not stylize it either. It does not cherish in it, it will not make you feel happy or excited, it just does. And this stuff is not for everyone. If you want your thriller to be more entertaining, than you should look elsewhere. If you like slow cooking and moving thrillers, that are more about character and their journey, this is the one to seek out ... it takes you places

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  • A very carefully crafted film

    saraccan2018-09-07

    There are so many good things to talk about in this movie. First of all, it starts out very strong and grabs you right off the bat. Then I really liked the occasional behind the shoulder camera work which gives an intimate and unnerving feeling but it's not overly done where it becomes exhausting. The look and feel of the movie fits so well to the locations and overall intention. I loved the progresiveness of the film which tells the main character's story and purpose in two very different halves. Every character is very carefully designed and has a meaningful and interesting presence. It's the revenge story of a quiet but determined guy.

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  • Spanish Rage

    tenshi_ippikiookami2017-07-23

    "Tarde para la ira" is a highly entertaining thriller, with great performances, a very interesting story-line, and good direction that, however, ends up falling short of greatness. The story starts with a failed robbery. The driver ends up trying to run away by himself and getting caught. Time jump and we meet Jose, a shy and insecure looking man who seems to be in love with Ana, stalking her at every corner. Poor us, who don't know that Jose is brewing his revenge, boiling his rage little by little. The movie starts blindsiding the viewer, but pretty soon we understand what the director is trying to do. And lo and behold, Raúl Arévalo delivers. Our Jose, an astonishingly good Antonio de la Torre, surprises us at every corner. And the moment when he gets to be face to face with the first of the people he has been searching is just impressive. Raúl Arévalo directs the set up with a mastery that belies this being his first directing job. And Antonio de la Torre will make the viewer wince in pain one moment and laugh anxiously the next. But this is just a simple moment of a movie that knows perfectly its purpose and is not afraid of it. Sadly, it ends up being a little bit less than the sum of its parts, in part because of an uneven tone and a running time that could be a little bit shorter. If not, this would probably be a masterpiece.

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