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San daikaijû: Chikyû saidai no kessen (1964)

San daikaijû: Chikyû saidai no kessen (1964)

GENRESAdventure,Fantasy,Sci-Fi,Thriller
LANGJapanese
ACTOR
Yôsuke NatsukiYuriko HoshiHiroshi KoizumiAkiko Wakabayashi
DIRECTOR
Ishirô Honda

SYNOPSICS

San daikaijû: Chikyû saidai no kessen (1964) is a Japanese movie. Ishirô Honda has directed this movie. Yôsuke Natsuki,Yuriko Hoshi,Hiroshi Koizumi,Akiko Wakabayashi are the starring of this movie. It was released in 1964. San daikaijû: Chikyû saidai no kessen (1964) is considered one of the best Adventure,Fantasy,Sci-Fi,Thriller movie in India and around the world.

Reporter Naoko is interviewing members of a UFO club when a large meteor lands in Kurobe Valley. Meanwhile, her detective brother Shindo is assigned to protect the foreign Princess Salno, only for her to be seemingly assassinated before her arrival in Japan. While the meteor is investigated, Salno emerges under the guise of a Venusian prophetess and catches the attention of Naoko and Mothra's fairies. She prophecies the return of Godzilla, Rodan, as well as the arrival of a powerful space monster called King Ghidorah. As Shindo and Naoko protect Salno, the infant Mothra must persuade Godzilla and Rodan to set aside their differences and save the world from Ghidorah.

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San daikaijû: Chikyû saidai no kessen (1964) Reviews

  • Enormously entertaining Godzilla movie-one of the best

    DrLenera2004-03-10

    Many fans of Japanese monster movies regard the late 50s/early 60s as the Golden Age,and they are generally right.There is a terrific feel to the Toho Studios films made in that period-imaginative,exciting,fun without generally descending into camp,a good stock company of actors,etc.This film,to call it by it's western name Ghidorah the 3 Headed Monster,is a direct sequel to Godzilla Vs Mothra,perhaps the apex of the Godzilla series.It is not as completely satisfying as the previous instalment but it is probably even more entertaining. The build-up is somewhat muddled and lengthy,but the plot is just about intriguing enough to keep one ticking over until,after perhaps too long a wait,the monsters appear and the film really kicks into high gear.The appearance of Godzilla,the pterosaur-like Rodan,and the three headed dragon Ghidorah {surely Godzilla's greatest foe} are all well staged and effective,while Ghidorah's attack on Tokyo remains impressive and was often 're-used' in later films.The Godzilla/Rodan battle is just funny,as is the bit where Mothra tries to communicate with Godzilla and Rodan and get them to fight Ghidorah,a really wacky scene that could only exist in a Japnese monster movie, but the climactic fight,as the three Earth monsters Godzilla,Rodan and Mothra combine their strength against the alien creature is the most rousing climax of a Godzilla film,aided by Akira Ifikube's fantastic theme music. As usual,the US version was altered and,once again,for the worst,although not as badly as King Kong Vs Godzilla.Still,scenes were cut and shifted about,tightening the pace of the first half and weakening continuity,and some of the music was replaced.Once again,to get a real appreciation of this tremendously enjoyable and exciting movie,you need to seek out the Japanese version.

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  • Shinichi Sekizawa's masterpiece

    ebiros22010-05-30

    This is the seventh kaijyu (monster) movie written by Toho's screen writer Shinichi Sekizawa, and the first to portray the monsters in a comical light which would become Toho's style for the following 10 years. The story differs somewhat between the Japanese version and the American version. This commentary is about the Japanese version. Princess Mars Dourina Salno (Eiko Wakabayashi) of Sergina requests Japanese police to give her protection due to political instability of her country. Detective Shindo (Yosuke Natsuki) is assigned by his boss Okita (Akihiko Hirata) to body guard the princess, but the plane carrying the princess explodes on its way to Japan. Shortly afterward a woman proclaiming to be from Venus appears and prophecies that Rodan and Godzilla will appear in Japan. Thinking that his assignment was over before it got started Shindo goes home, reads about mysterious Venusian woman who's attracting media's attention looks exactly like princess Mars. Convinced that the self proclaimed "Venusian" is princess Mars, he launches his own investigation. His sister Naoko who is a reporter is also on the heel of the Venusian woman. In the mean time a mysterious asteroid falls in the Kurobe area of Japan. Assistant professor Murai (Hiroshi Koizumi) is the team leader that's sent to investigate the asteroid witnesses the asteroid turning into a three headed monster. Naoko finally catches up with the Venusian woman and escorts her to a near by hotel. By this time assassins from Sergina is also on her trail suspecting that the Venusian woman is princess Mars. They converge at the hotel and shooting ensues between the assassins and detective Shindo. Assassins flees and detective Shindo, and Naoko escorts the Venusian to Dr. Tsukamoto's (Takashi Shimura) lab to see if her memories can be revived. In the mean time Rodan and Godzilla is sited and they converge near Mt. Fuji and starts a battle. Vanusian woman tells a story that 5000 years ago Venus was attacked by the monster King Gidora and was turned into a waste land, and that Gidora is now on earth. Mothra is called to Japan to ask Godzilla and Rodan to fight against King Gidora, but the two monsters aren't exactly interested in helping mankind. The plot of this movie is superbly written with each element supporting the entire flow of the story. Many die hard Godzilla fans might not like the campy flavor of this movie, but so many elements crammed into this movie that runs just over 90 minutes has intricacies and originality never seen in previous Japanese monster movies. This movie by far has the most intricate plot of movies written by Shinichi Sekizawa, but is hidden behind the tong in cheek humor that runs throughout the movie. In the US released DVD, three men accuses the Venusian woman as "kichigai" (crazy). The broadcast code in Japan has tightened up since this movie was made and this word is no longer allowed to be used in a movie, so the Japanese DVD has this word changed to another dialog, but you will hear it as it was in the US release DVD. Princess Mars' full name Mars, Dourina, Salno is a play on the Japanese phrase "Ma, sudori, nasaruno" (Are you just going to pass me by ?) and is intended to be an injoke. You'll get much more out of this movie if you catch the details of the movie. It was the first time Gidora was seen on screen. Gidora became a staple of subsequent movies guaranteeing a crowd draw for Toho. Watch this movie to see if you can catch the details.

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  • Leapin Lizard...and Moth, and Giant Pterodactyl

    BaronBl00d2001-08-03

    A giant meteor crashes on the Earth's surface in Japan(where else?). Out from this comes a monster from Mars that destroyed the Martian race and now wants to destroy humankind. The monster is none other than Ghidrah(Ghidorah), perhaps the greatest enemy faced by Godzilla in any of his films. Ghidrah is a neat monster with his three heads and tails. He spews electrical currents from his mouths. Is mankind's existence to be forever extinguished? No. With the help of Mothra's fairies who just happen to be visiting Japan during this "global" crisis, Mothra is sent to Godzilla and Rodan to try and convince them to help the people of the world and fight Ghidrah. The twin fairies, probably fatigued from singing a couple fine songs, translate what the mosters say. Rodan and Godzilla are wary of helping mankind, and would rather beat on each other, making one Japanese spectator remark, "These monsters are as stupid as human beings!" This is a fun film. The monsters look as you would expect. Rodan, for whatever reasons, looks particularly cheesy and fake, but Godzilla is fitted with a neat rubber suit. Yep, miniature towns are destroyed in this one too. The acting all around is very good for a film like this. The story is pretty good too. You cannot go wrong with a giant lizard, a giant reptillian prehistoric bird, and a giant caterpillar duking it out with a three-headed space monster. Throw in two charming, musically-inclined island fairies and an assasination plot of a princess into the mix as well... not to mention the directing skill of Inshiro Honda and the fabulous music of Akira Ifukube and you just cannot miss!

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  • I Love This Film!

    gigan-922009-04-13

    This film is one of the original series' best in my opinion. Four of my favorite monsters coming together for the hugest battle yet seen (at the time of course). This film also holds a very special place in my heart, seeing as it was the first GOOD Godzilla movie I ever owned. Back when I must've been four I'd estimate. The only G-film I'd seen prior to this was "Godzilla vs. Megalon", but compared to this film it only looks even crappier! I unfortunately broke my VHS copy of it at nine due to excitement over a new G-film I'd been given as a present and up until 2007 I thought I would never see the film again. Fortunately, Classic Media recognized its greatness and released on a spectacular DVD. Another reason I love this film is the fun plot. Of course it's dropped any mention of nukes or strong themes, but I still find it one of Sekizawa's best. Next time around let's say Princess Salno used a parachute instead of "leaping in between dimensions". As for the characters, this film has a really good cast. Akikko Wakabayashi (the Princess/Martian prophet) is excellent and fine by the way. Takashi Shimura stars as another 'Dr.' character and his performance is as usual, top notch. Akihiko Hirata stars in a small role where as Yuriko Hoshi returns playing a very similar character to her previous role in "Mothra vs. Godzilla", done well. Along with all the other actors, every one gives entertaining performances, Honda even adding some cool shoot out scenes. The special effects are mostly good. King Ghidorah was an incredible accomplishment for Eiji Tsubaraya. The three headed dragon looks magnificent both on the ground and flying. The gravity beams were done exceptionally well, where as Godzilla's heat ray became a mist due to the money spent on Ghidorah. Anyways, the space demons rampage scenes are beautiful and I love the odd shriek. All the sets are huge and well constructed, my favorite being the downwards sloping hill where Ghidorah (or Ghidrah as he's called in the dubbing) is first confronted by Godzilla and Mothra. Godzilla and Rodan's battle is just cool and full of energy and Ifukube's music fits it perfectly. The best two parts were Godzilla using his tail and Rodan lifting the King of the Monsters into the sky and dropping him onto the electrical tower. The continuity is still there and still no aliens (although King Ghidorah is technically an extraterrestrial). Godzilla looked great, considering it's the incredible suit from the last film. Except for its eyes, which didn't look as imposing. Rodan looked decent, but nowhere near as impressive as the 1956 original. The final battle is an excellent display of SFX and real action. Total highlight of the film no doubt. When you're a seven or nine year old watching these films you don't notice these things but times change. Whereas Sekizawa was quite the writer, it can be noted he brung the first essences of campiness into the original Godzilla series. The monster summit isn't really campy per say, but it does lower the seriousness of the film. It is the beginning of Godzilla's hero stance, which will soon become the beginning of the end for his career till 1984 ("Godzilla 1985" begins the second series of films). Luckily, Godzilla still gets his menacing scenes at Yokohama harbor and he does kill hundreds of innocent people on a cruise boat when he first emerges from the ocean depths, done nicely. The characters still fear him and don't look at him as a hero just yet. In a way he just settled a brief negotiation. But I didn't know Godzilla cursed: "Oohhh, Godzilla what horrible language", twin fairies translating at the monster summit. In the end it's rather funny so I appreciate it more and more with each viewing. And seeing as I as I watch the film on a weekly basis, you get the idea. Well, the first three G-films had elaborate and often unnecessary Americanization's, with added American scenes, changes to the SCORE, and even changing Godzilla's name to Gigantis! "Mothra vs. Godzilla" was the first to avoid it, but this film to a degree didn't. The story is left intact and there are no American actors edited in but Ifukube's score is AGAIN tampered with!! Thankfully not as much as in "King Kong vs. Godzilla". Other than that the American cuts actually make sense and actually fix that continuity error with King Ghidorah (buy the Classic Media DVD and watch the Japanese version). Overall, I love this film for several reasons and if you haven't seen it, you most definitely should.

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  • GODZILLA RULES!

    warlorde2002-04-13

    I remember back in the 70's this was the first movie I ever saw of Godzilla!, and boy did I get excited. I was enthralled from beginning to end, and I can tell you this much: I still enjoy it! Ghidrah, Mothra, Rodan all have a place in my heart and mind, and always will. They helped me escape to new dimensions and thoughts. Well besides all that, it's just incredible fun to watch this movie. It has plot mixed in with the monsters appearing and holds at least this viewer. Good for the kiddies and nostalgia buffs. 10 out of 10. Get the video, so you can watch it over and over again. Better than the crap Hollywood is dishing out nowadays.

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