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ACTOR
Yukie YamadaDaiki NakamuraRio NatsukiRyôka Yuzuki
DIRECTOR
Keitarô Motonaga
SYNOPSICS
Malice@Doll (2001) is a Japanese movie. Keitarô Motonaga has directed this movie. Yukie Yamada,Daiki Nakamura,Rio Natsuki,Ryôka Yuzuki are the starring of this movie. It was released in 2001. Malice@Doll (2001) is considered one of the best Animation,Horror,Sci-Fi movie in India and around the world.
A sex bot named Malice is attacked by a creature with tentacles. After it has its way with the bot it destroys it, but Malice comes back to life with the ability to spread life to other bots like a disease.
Same Director
Malice@Doll (2001) Reviews
Unique, horrific and beautiful
A long-standing interest in anime, a glimpsed online review of a desperately obscure CG title, and the 5-year hunt was on. Well, today I finally managed to get my hands on this title and watch it. First of all, if you're a hentai fan, steer clear. This is not a hentai title with sci-fi pretensions. This is a much rarer animal - a true adult feature that contains sex and nudity, as well as the monstrous and grotesque, as part of its philosophy and plot, and doesn't exist as an excuse for them. In light of this, the disappointment of the porn-hunters who were drawn to Malice@Doll through its misclassification as hentai is understandable. What of the film? A full review and analysis would take pages, but there are definitely shades of a much less-populated Blade Runner in its premise, as well as Chiaki Konaka's earlier work, "Serial Experiments Lain," in the denouement. One of the most distinct characteristics of the film is its full-3D CG animation, reminiscent, both in its style and graphical simplicity, of video cutscenes from role-playing games such as Final Fantasy VII. Such a style is rare even now, and for good reason, since full-CG movies haven't often been successes (see Final Fantasy: TSW and Kaena for example). It also dates extremely fast. All the more remarkable that a full seven years after its release, the graphics in Malice still work extremely well, and I can't think of a moment in this film when I found them jarring or distracting. Working within a tight budget, the filmmakers managed to wring every drop of visual performance from their technology. Even character movement, which much more recent CG films like Appleseed have ended up botching, is pulled off with aplomb, due in no small part to skillful editing and camera angles. The character, mechanical and environment designs, such as the nightmarish Leukocyte, are excellent though often very obscured and abstract, and owe less to glossy hyper-futuristic fare like Final Fantasy: TSW than to Dali, Svankmajer and Brothers Quay. The plot has been subject to frequent complaints in reviews, and it is slow and, not atypically for Konaka, extremely oblique; however, anyone moderately well versed in cyberpunk philosophy should be able to make sense of it in the end. The film is, ultimately, dreamy, elegiac and intelligent, and, above all, it manages to create enormous sympathy for its nonliving characters. At its core, it's about the titular character's search for escape from her hermetic life. Throughout her transformation from a stoic sex droid to a passionate, tormented human, and beyond, I felt very moved by her plight, especially given her claustrophobic, hopeless surroundings. The supporting characters, like Admin Joe and Heather, are excellent as well. The Japanese voice work is very good, and, last but not least, the soundtrack is very sparse, beautiful and fits the film perfectly. All in all, this is not a flawless film. It is, however, unique in several ways, not least in how wonderfully it works within the limitations of its medium. Definitely recommended for fans of unconventional, yet rewarding fare.
A weird and interesting movie
Dolls are artificial beings, machines created by humans in order to serve as prostitutes. They live in a dark underground world, where they roam the streets looking for human clients. Those clients, however, have disappeared, and the dolls lead a purposeless existence, following meaningless routines that are focused on masters which have been absent for a long time. Malice is one of them. She gets up every day, walks around looking for non-existent clients, and goes for maintenance. The world around her is slowly decaying, as are the dolls themselves. Things change for her when she gets attacked by a strange monster, which turns her into flesh and blood. Thrilled by her new body, Malice tries to pass on this gift to the other droids that inhabit her world, only to encounter fear and despair instead of the hope she wanted to spread, raising questions about awareness and existence. I didn't know anything about this movie when I rented it, and felt very confused for the first half hour. However, the feeling of 'what the hell...' soon changed to 'wow, this is great' as i started to make more and more sense of the story. The cg animation is unusual, and reminds of puppetry more than anything else. The world which the dolls inhabit is a mechanical nightmare, and the changed Malice is the only organic thing amongst all the cables and metal. I found it quite moving, especially the relationship between Malice and Joe Admin. It is brave, weird movie, and takes some thinking to make sense of. Highly recommended!
Surrealistic sci-fi animation
The CGI-animation in this Japanese anime works well with the dark futuristic atmosphere. The storyline and the (animated) settings are in a surrealistic style - pictures of the Spanish artist Salvatore Dali sprung to my mind. Although there are some shortcomings in the story I would highly recommend seeing this anime because I haven't seen anything similar in animated pictures so far. The soundtrack is also very appealing and works perfectly with the pictures.
Misleading genre notes out there
BBOL lists this as a sex movie, which it most certainly is not. While the film does have some elements of sexuality (some deviant), it's more of, I guess, a Morality Play. Kind of the "Ya shouldn't aughta mess with the weird things, 'cause, no matter how good your intentions, weirder things will spring forth." I viewed the English Dub of this film and I have to say that it sucked. It almost sounds as if the actors are embarrassed to be doing this film; or the re-recording director didn't care enough to draw out the performances. Maybe the J-dub and sub-titles is better; I don't know. The animation is pretty good; with some very nice/weird character/"monster" design and atmosphere. 6 of 10 for production values and story idea. The E-dub killed it.